SINtenDRAW by Kris P. Kreme
It’s Heath’s first day as a graphic designer with DominART Design, but he has no idea how graphic things can get.
Fellow designer Owen shows him around the converted warehouse, mentioning the boss, Cormac, is meeting privately with Ingrid and Vanessa, on-staff illustrator and photographer. He also mentions how noticeably Ingrid and Vanessa have changed since he met them a couple weeks earlier.
After Cormac encourages Heath to check out a design program called DRAW, he discovers that somehow DRAW can literally redraw and redesign Ingrid and Vanessa’s bodies, leaving their minds unaware of what is quite enjoyably done with those bodies.
But who is DominART Design’s big client?
It’s Heath’s first day at a new job, and even he is surprised he got chosen over what had to be more qualified candidates. Standing outside a warehouse building, confused about how isolated the place is, he might wonder if he’s at the wrong place. But Heath is about to discover just how right the place is, his new job certain to come with quite the unique amenities.
DominART Design is a pretty small outfit so far, just the boss, Cormac, a middle-aged designer named Owen, and an on-site illustrator and her photographer daughter, Ingrid and Vanessa. But on the day Heath arrives to get started, Owen is the one who meets him and takes him on the tour of the renovated warehouse interior. Cormac, the big boss, is busy as he frequently is, going over one thing or another with Ingrid or Vanessa, maybe both.
All Owen knows is he feels bad for Ingrid and Vanessa, the two seemingly always needing a closed door meeting with the boss to get something straight or something dealt with. Otherwise Cormac is a pretty easygoing boss, and the work environment is great, each designer having their own private office, great computers, all the essentials one could need, and for Heath fresh out of college, that’s only more evidence that this is either the luckiest break ever or there’s more to this design job than he fully understands.
According to Owen the current project is a simple one, to design the DominART Design logo so they can have some signage outside and others won’t be confused like Heath was, wondering if they are even at the right place. But soon they will begin the real meat of their designs, for a big tech company that gave Cormac exclusive contracts for all their designs. It was after he got that exclusivity that Cormac broke off from a big design firm to set up his own company, but whoever the tech giant is, even Owen doesn’t know yet. Cormac is keeping everything hush hush for the moment.
The one thing that does seem strange, beyond everything else, is what Owen tells Heath about the illustrator and photographer, Ingrid and her daughter Vanessa.
Owen claims that he met them two weeks ago, and somehow, maybe it’s just him, they have changed over those two weeks. When Heath asks what he means, Owen tries not to come across as some old pervert looking at a girl half his age, but he swears that Vanessa was a recent college grad and absolutely plain and flat as a board when he met her. The only way he can describe it is like she somehow blossomed in just a couple of weeks, definitely a stunner now.
As for Vanessa’s mother, Ingrid, when he met her she was a friendly woman, normal enough, but now just a couple of weeks later, he swears she looks like a model, perfect lips, hair, body, everything. As strange as those claims sound, when Heath meets his two new female coworkers shortly after, he definitely can see no signs of plain, ordinary, or flat. They each seem perfectly professional, but definitely very beautiful, and he’s admittedly surprised by what they are wearing on the job, Vanessa wearing about the shortest dress and corset top showing generous cleavage. Though when Heath tries to comment on her interesting top, Vanessa acts as though she’s dressed casually, even referring to a t-shirt which she definitely is not wearing.
Cormac certainly isn’t offering any clue as to what might be going on, who the big secret client is, why the women seem to look so different to Owen now, why they don’t even seem that aware of how they look even to Heath. The man is a friendly sort, though when Cormac mentions that what impressed him about choosing Heath over other potential design candidates were the gaming awards he won in college with his fraternity, it definitely confuses Heath.
The man is also always encouraging his designers to ABD, Always Be Drawing, something he says they should do to keep their skills hot, something he really has encouraged Owen to use the program on their shared drive found through all the main computers. Owen it seems, being old school himself, has preferred to sketch and draw on paper, but Cormac makes more than a couple of mentions of this program found on the shared drive, so after finding his office, it isn’t long before Heath is exploring that shared drive, finding a program simply called DRAW.
Upon opening DRAW, Heath gets a definite surprise, as someone has left up three-dimensional rotating models down to every precise detail of Ingrid and Vanessa. It’s as though someone motion-captured the pair and was working on their images. But when Heath positions his mouse over their images, popup options and details display even more bizarre evidence that something weird is going on at DominART Design.
One of the popups over the skimpy corset wearing Vanessa claims that the original drawing is unaware, oblivious to changes, then offers him the option of editing further. And when he gets curious and checks to see if there is a history tool to review past changes, that is when Heath finds the original image, and the t-shirt Vanessa apparently still thinks she is wearing.
When Heath gets more curious and checks out some of the drawing tools in the application, he stops Vanessa’s image from spinning and focuses the filter tool on her chest. Using a reverse pinch, he watches her chest get three times the size it was before, feeling guilty about the dirty thoughts and grin her edited image stirs.
When after messing around with the DRAW program, Heath sees Vanessa and suddenly she is sporting absolutely huge tits, he knows something seriously strange is definitely going on… and it all has to do with the DRAW program.
Is this the new design firm that handles all the distinctly pornographic box art for SINtendo video games? Will Heath find himself spending some alone time working one on one with the girls, fueling more than just his creative juices? And how about Owen, will all the designers at DominART Design be putting more than their heads together and finding a cohesive team attitude… particularly when tag-teaming the illustrator and her daughter?
Every new job comes with an adjustment period, but not every job lets you cum while adjusting your sexy new coworkers.
Up next… Shouldn’t be that mad…
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